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The ten tune set is an assemblage of notable standards, all of which have revolved through the Oatts playbook at one time or another. It’s testament to Oatt’s improvisatory powers that such a program can still yield green pastures for his horn. A medium-slow tempo sortie through “If I Should Loose You” starts things off in relatively sedate fashion with the rhythm section offering up a warm accompaniment the leader’s ranging alto. Slower pieces actually offer more succulent fruits starting with the lilting interpretation “We’ll Be Together Again”. Oatts sounds even more inspired on Ellington’s “Come Sunday”, his by turns plush and piquant tonal shifts accentuating the aged standard’s beatific theme. Weiss works well as frequent foil, his deft chordal work aligning with the steady throb of Okegwo and the skeletal rhythms of Green.
Raising the tempo a couple ticks, “Yesterdays” brings a dark edge of Weiss’ rolling, pedal-weighted momentum and some acrobatic emoting by the leader. The mood shift proves short-lived thanks to the soothing trifecta of “My Foolish Heart”, “Darn That Dream” and “Angel Eyes”. Echoing the intimation of its concluding foray through “Hello Young Lovers”, this is an album to savor in the company of a spouse or lover, snifter of top-shelf cognac and comfortable couch at the ready to see what develops.
Great review. I have heard Dick Oatts in Youtube and I really like his style.
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